UTAGAWA HIROSHIGE - Asakusa Ricefields and Torinomachi Festival

THE ARTWORK

"Asakusa Ricefields and Torinomachi Festival" is print no. 101 from "One Hundred Famous Views of Edo" by Utagawa Hiroshige.

Hiroshige here presents the Yoshiwara pleasure quarters on the single busiest day of the year. However, from the second story of a brothel, the noise and activity seems far away. In the distance, crossing the Asakusa Ricefields, is a procession celebrating the Torinomachi Festival. On this day, the Yoshiwara was open to everyone, including ordinary women. It was also a monbi, one of the special days on which each courtesan was required by tradition to take a customer—or to pay the fee to the brothel owner if she failed. Casually arranged in the foreground are a courtesan's accouterments. Peeping out from behind the border of a screen are tissue papers delicately known as "paper for the honorable act."

THE ARTIST

Utagawa Hiroshige (1797-1858) was a towering figure in Japanese woodblock printing, alongside his well-known counterpart Hokusai. While Hokusai captured drama and movement, Hiroshige's true passion was landscapes. He used innovative compositions and atmospheric effects to showcase the beauty of everyday life in Edo (modern-day Tokyo) and the journeys along famous travel routes.

His most celebrated series, "One Hundred Famous Views of Edo," is a testament to his skill. These prints captivated audiences with their serene beauty and bustling activity, showcasing iconic locations in Edo and surrounding areas. Hiroshige wasn't just a documentarian; he was a master of observation. He used subtle color variations and clever perspective tricks to create depth and capture the changing moods and seasons of the landscapes he depicted.

Hiroshige's influence extended beyond Japan. By incorporating some Western artistic elements, like deep perspective, into his prints, he unknowingly contributed to the "Japonisme" movement that would later influence European artists in the late 19th century, such as Vincent Van Gogh and Claude Monet

THE PRINT

• A4 Size = 29.7cm x 21cm = 11.7" x 8.25"
• A3 Size = 42cm x 29.7cm = 16.5" x 11.7"
• High resolution giclée print - 600dpi
• Printed to order
• Unframed & unmounted
• Professionally printed using Canon imagePROGRAF printers
• Digitally restored by OharaPrints from high resolution scans of the original artwork
• Made in and shipped from Casterton, Victoria, Australia

PAPER

• Canson Infinity - Arches BFK Rives White
• Paper weight = 310gsm
• 100% cotton
• Archival, museum grade
• Acid free
• No OBAs (optical brightening agents)

Arches BFK Rives is a high-quality, archival-grade paper manufactured at the Arches paper mill in France - one of the oldest papermakers in Europe. It is made from 100% cotton rag using a time-honoured manufacturing process, giving the paper exceptional durability, longevity, and resistance to yellowing or deterioration over time. Despite its substantial weight and thickness it maintains a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs), allowing for superb colour rendition and deep blacks.

INK

• Canon Lucia Pro Inks
• Pigment based
• Archival, museum-grade
• Brilliant colours, even gradient and razor-sharp lines
• Highly stable and fade resistant, excellent humidity-fastness

SHIPPING & HANDLING

• All orders are dispatched on the NEXT BUSINESS DAY after receiving the order
• All prints are shipped via AUSTRALIA POST with TRACKING
• For postage rates and estimated delivery times please see our SHIPPING page
• All prints are shipped flat, not rolled
• Each print is individually placed into a resealable, archival grade plastic protective sleeve
• Prints are carefully packaged in very sturdy 700gsm cardboard envelopes, along with 1050gsm boxboard sheets which provide extra strength & rigidity to prevent bending or folding during transit