MAURICE VERNEUIL - Coqs et Poules

THE ARTWORK

"Coqs et Poules (Roosters & Hens)" is a chromolithograph by Maurice Pillard Verneuil and is Plate 43 from his famous work "L'Animal dans la Décoration", published in 1897 in collaboration with Eugène Grasset.

"L'Animal dans la Décoration (The Animal In Decoration)" is a seminal work in decorative arts. It explores the use of animal motifs in artistic expression during the Art Nouveau period. The book showcases diverse examples, from naturalistic to abstract interpretations, sourced from global cultures. Highlighting the symbolic importance of animals in art, it offers inspiration for artisans and designers while contributing to the discourse on the relationship between nature and ornamentation. This influential publication remains a valuable resource for understanding the aesthetic trends of the late 19th and early 20th centuries.

THE ARTIST

Maurice Pillard Verneuil (1869-1942) was a French artist and designer who made significant contributions to the Art Nouveau and Art Deco movements. His work spanned various mediums, including illustration, graphic design, ceramics, and jewelry.

Verneuil was renowned for his intricate decorative designs inspired by natural forms, particularly botanical motifs. He had a keen eye for color and composition, which he skillfully incorporated into his creations. Verneuil's style often featured stylized flowers, foliage, and geometric patterns, characterized by sinuous lines and harmonious arrangements.

One of his most notable achievements was his collaboration with the renowned art publisher, Librairie Centrale des Beaux-Arts, where he produced a series of pattern books that became influential sources for designers of the Art Nouveau era. These books showcased Verneuil's innovative designs, which were widely acclaimed for their elegance and originality.

In addition to his work in graphic design, Verneuil also applied his artistic talents to other fields. He designed ceramics for prestigious manufacturers such as Sèvres and created exquisite jewelry featuring his signature Art Nouveau motifs.

THE PRINT

• A4 Size = 29.7cm x 21cm = 11.7" x 8.25"
• A3 Size = 42cm x 29.7cm = 16.5" x 11.7"
• High resolution giclée print - 600dpi
• Printed to order
• Unframed & unmounted
• Professionally printed using Canon imagePROGRAF printers
• Digitally restored by OharaPrints from high resolution scans of the original artwork
• Made in and shipped from Casterton, Victoria, Australia

PAPER

• Canson Infinity - Arches BFK Rives White
• Paper weight = 310gsm
• 100% cotton
• Archival, museum grade
• Acid free
• No OBAs (optical brightening agents)

Arches BFK Rives is a high-quality, archival-grade paper manufactured at the Arches paper mill in France - one of the oldest papermakers in Europe. It is made from 100% cotton rag using a time-honoured manufacturing process, giving the paper exceptional durability, longevity, and resistance to yellowing or deterioration over time. Despite its substantial weight and thickness it maintains a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs), allowing for superb colour rendition and deep blacks.

INK

• Canon Lucia Pro Inks
• Pigment based
• Archival, museum-grade
• Brilliant colours, even gradient and razor-sharp lines
• Highly stable and fade resistant, excellent humidity-fastness

SHIPPING & HANDLING

• All orders are dispatched on the NEXT BUSINESS DAY after receiving the order
• All prints are shipped via AUSTRALIA POST with TRACKING
• For postage rates and estimated delivery times please see our SHIPPING page
• All prints are shipped flat, not rolled
• Each print is individually placed into a resealable, archival grade plastic protective sleeve
• Prints are carefully packaged in very sturdy 700gsm cardboard envelopes, along with 1050gsm boxboard sheets which provide extra strength & rigidity to prevent bending or folding during transit