ANTON SEDER - Marine Life

THE ARTWORK

This amazing lithograph, commonly known as "Marine Life", is Plate 28 from "Die Pflanze in Kunst und Gewerbe (The Plant in Art and Craft)" by Anton Seder. It features different decorative elements depicting a coral reef teeming with fish. The artist used vibrant colors and swirling forms to create a sense of movement and life underwater. The panel in the bottom left corner lists the algae species depicted as "Nereocystis luetkeana" - Bull Kelp, "Epineuron spirale", "Padina pavonica" - Peacock's Tail, "Sargassum", "Hypoglossum" - red algae and "Laminaria saccharina" - Sugar Kelp.

"Die Pflanze in Kunst und Gewerbe" is a two-volume publication by Anton Seder, published in collaboration with Martin Gerlach and artist contributors in Vienna from 1886-1890. It's a stunning collection of chromolithographic plates depicting a wide variety of plants with the intention of inspiring artists and designers working in the decorative arts.

THE ARTIST

Anton Seder (1850–1916) was a prominent German artist, architect, and designer known for his contributions to the Art Nouveau movement. Born in Nuremberg, Seder studied at the Academy of Fine Arts in Munich and later became a professor at the Academy of Fine Arts in Nuremberg. He was also the first Director of the new "École supérieure des arts décoratifs de Strasbourg" from 1890.

Seder's work was characterized by its intricate detail, organic motifs, and innovative use of materials. He was particularly renowned for his designs in stained glass, which adorned numerous churches, public buildings, and private residences across Germany.

In addition to his work in stained glass, Seder was also a skilled painter, illustrator, and architect. He created a wide range of artworks, including murals, tapestries, and decorative panels, often incorporating elements of nature and mythology.

Seder's influence extended beyond his artistic endeavors. He played a significant role in the development of design education, advocating for a holistic approach that integrated art, craft, and technology. His teachings emphasized the importance of harmony between form and function, foreshadowing the principles of modern design.

THE PRINT

• A4 Size = 29.7cm x 21cm = 11.7" x 8.25"
• A3 Size = 42cm x 29.7cm = 16.5" x 11.7"
• High resolution giclée print - 600dpi
• Printed to order
• Unframed & unmounted
• Professionally printed using Canon imagePROGRAF printers
• Digitally restored by OharaPrints from high resolution scans of the original artwork
• Made in and shipped from Casterton, Victoria, Australia

PAPER

• Canson Infinity - Arches BFK Rives White
• Paper weight = 310gsm
• 100% cotton
• Archival, museum grade
• Acid free
• No OBAs (optical brightening agents)

Arches BFK Rives is a high-quality, archival-grade paper manufactured at the Arches paper mill in France - one of the oldest papermakers in Europe. It is made from 100% cotton rag using a time-honoured manufacturing process, giving the paper exceptional durability, longevity, and resistance to yellowing or deterioration over time. Despite its substantial weight and thickness it maintains a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs), allowing for superb colour rendition and deep blacks.

INK

• Canon Lucia Pro Inks
• Pigment based
• Archival, museum-grade
• Brilliant colours, even gradient and razor-sharp lines
• Highly stable and fade resistant, excellent humidity-fastness

SHIPPING & HANDLING

• All orders are dispatched on the NEXT BUSINESS DAY after receiving the order
• All prints are shipped via AUSTRALIA POST with TRACKING
• For postage rates and estimated delivery times please see our SHIPPING page
• All prints are shipped flat, not rolled
• Each print is individually placed into a resealable, archival grade plastic protective sleeve
• Prints are carefully packaged in very sturdy 700gsm cardboard envelopes, along with 1050gsm boxboard sheets which provide extra strength & rigidity to prevent bending or folding during transit